Foro Perdidos
Post Oficial: ['LOST': 2004 - 2010]
#0
09/07/2009 16:36
Esto ha sido 'LOST'...
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#701
05/01/2010 10:13
Os dejo un spoiler que me a alegrado pero que me a jodido mucho.
Al parece tendremos que llorar otra vez en la premiere.
Al parece tendremos que llorar otra vez en la premiere.
SPOILER (puntero encima para mostrar)Juliet sobrevive a la explosion, sin embargo no a sus heridas. Tendremos la oportunidad de ver la despedida juliet y sawyer. T.T
#702
05/01/2010 10:14
En la ultima cena Miles le esta tocando el culo a Lapidus!!! XD
PD: en el titulo del post pone claramente NO SPOILERS
PD: en el titulo del post pone claramente NO SPOILERS
#703
05/01/2010 10:22
Los spoilers estan con la etiqueta, y se viene haciendo desde hace mucho tiempo.
Si no los quiere leer pues nada.
Pero estan con la etiqueta, el fallo estaria ponerlo sin la etiqueta.
Lo de nospoilers esta desde hace mucho tiempo, y muchos han colocado sus spoilers. Se refiere a sin etiqueta.
Si no los quiere leer pues nada.
Pero estan con la etiqueta, el fallo estaria ponerlo sin la etiqueta.
Lo de nospoilers esta desde hace mucho tiempo, y muchos han colocado sus spoilers. Se refiere a sin etiqueta.
#704
05/01/2010 10:35
Vale, preferiría que no fuese asi, aunque tengan etiqueta, pero tampoco hago de esto un drama. De momento tengo la suerte de no haberme tragado ningun spoiler, y a falta de un mes cada vez va a ser mas dificil.
Un saludo
Un saludo
#705
05/01/2010 10:37
Bueno siento haberme puesto asi y de ponerte la miel en la boca, yo me lo trague por un amigo, y lo corrobore.
Es mejor que no te tragues ninguno pero ahora es muy dificil.
Es mejor que no te tragues ninguno pero ahora es muy dificil.
#706
05/01/2010 15:02
Os dejo las famosas fotos ya oficiales y publicadas por la ABC. Muy buena calidad. Puso ayer un enlace Robert, pero las cuelgo para quien no las haya visto.
P.D. Me gusta tu cambio de look Robert...
P.D. Me gusta tu cambio de look Robert...
#707
05/01/2010 15:15
Esta mañana me he puesto a leer curiosidades sobre la ultima cena de da vinci, e intentar compararlo con esta, para ver si algo podria cuadrarme. Y seguro quemuchas de las cosas que no vemos en esa imagen son importantes... Curioso que la posicion de claire sea la de judas...
#708
05/01/2010 18:07
Pues yo no veo muchas similitudes con el cuadro. Para empezar es que hay un personaje de más en el lado derecho de la foto para que coincidan 6 y 6 a cada lado. Espero que eso no signifique que alguno de los que está en el lado derecho no vaya a ser personaje regular, vamos, que morirá al poco de empezar la temporada.
#709
05/01/2010 20:25
Se intercambian Claire con Miles. Podría ser que se pasan de un bando a otro... Jacob o Antijacob se apoderan de alguna forma de ellos, cambiando de bando. Podría ser...
#710
05/01/2010 21:27
Hablando de spoilers, cómo lo llevais?
Yo me sorprendo de que a estas alturas no haya caído en la tentación de mirar ni un solo spoiler!!! :P El año pasado a falta de un mes del estreno de la 5ª temporada ya me había comido alguno ^^' Pero no, la última temporada se merece que llegue virgen a ella xDD
PD: Gracias Dwyane xd
Yo me sorprendo de que a estas alturas no haya caído en la tentación de mirar ni un solo spoiler!!! :P El año pasado a falta de un mes del estreno de la 5ª temporada ya me había comido alguno ^^' Pero no, la última temporada se merece que llegue virgen a ella xDD
PD: Gracias Dwyane xd
#711
05/01/2010 22:57
Pues yo... desde que leí el spoiler de Ilana hace un par de meses, dije basta! xD
#712
06/01/2010 00:41
Espero que Lapidus oculte algo bien gordo por que si no es que no entiendo que sea un principal de la última temporada.
El papel de Ilana de la que tampoco sabemos casi nada es también bastante inquietante.
El papel de Ilana de la que tampoco sabemos casi nada es también bastante inquietante.
#713
06/01/2010 02:14
bueno bueno bueno, hacia unos dias que no me pasaba por aqui... ya no queda casi nada! habra que ir preparandose... aunque ya me imaino yo con el post de el capitulo abierto, todos comentando y mi capitulo bajandose aun xD
#714
06/01/2010 02:56
Yo de spoilers voy muy bien, sólo me comí uno acerca de una chica rubia (xD), que de todas maneras se sabía un poco, aparte de los títulos de los caps que no los considero spoilers como tal. Estoy orgulloso de mí mismo ^^
PD: Una pregunta, ¿cuándo soléis ver los capítulos? Por la mañana, nada más los subtitulen, o por la tarde/noche para que tengan más calidad y mejores subs? :S
PD: Una pregunta, ¿cuándo soléis ver los capítulos? Por la mañana, nada más los subtitulen, o por la tarde/noche para que tengan más calidad y mejores subs? :S
#715
06/01/2010 13:09
Yo los suelo ver por la noche, aparte de por la calidad, porque es cuando quedamos los amigos para verlo, que ya se sabe que ver esta serie junto a mucha gente es brutal.
De todas formas, 'Lost' no es como las otras series. Es espectacular la rapidez y la calidad con la que suben los episodios. Ha habido veces que a las 11 de la mañana ya estaba el episodio subido en excelente calidad y con un subtitulado digno de elogio. Y casi me atrevo a decir que a veces incluso antes. Creo que nunca le estaremos agradecidos a esa gente que hace que podamos ver en exelentes condiciones un episodio con escasas horas de diferencia respecto a Estados Unidos. Merecen ser bendecidos por Jacob... aunque ya samos donde acaban todos.
De todas formas, 'Lost' no es como las otras series. Es espectacular la rapidez y la calidad con la que suben los episodios. Ha habido veces que a las 11 de la mañana ya estaba el episodio subido en excelente calidad y con un subtitulado digno de elogio. Y casi me atrevo a decir que a veces incluso antes. Creo que nunca le estaremos agradecidos a esa gente que hace que podamos ver en exelentes condiciones un episodio con escasas horas de diferencia respecto a Estados Unidos. Merecen ser bendecidos por Jacob... aunque ya samos donde acaban todos.
#716
06/01/2010 14:02
Cierto, que Jacob les bendiga xD
Me paso otra vez por aquí porque, otra vez en LostPH:, me he encontrado con ¡los personajes centrales de los dos siguientes capítulos! Y hay una gran y positiva sorpresa en el segundo! :D (los pongo en spoiler por si acaso).
Me paso otra vez por aquí porque, otra vez en LostPH:, me he encontrado con ¡los personajes centrales de los dos siguientes capítulos! Y hay una gran y positiva sorpresa en el segundo! :D (los pongo en spoiler por si acaso).
SPOILER (puntero encima para mostrar)Perdidos 6x10 - Título Sin Confirmar
[Centrado en Sun/Jin] - 13 de Abril 2010
Perdidos 6x11 - Título Sin Confirmar
[Centrado en Desmond] - 20 de Abril 2010
#717
06/01/2010 16:30
Os dejo las promos que emite constantemente FOX España con respecto al inminente estreno de la sexta temporada. Son simples, pero me gustan. Es que pongas donde pongas esos acordes del enorme Giacchino, pone la piel de gallina.
#718
06/01/2010 20:19
Fox España tb va a emitir la última temporada con poca diferencia no? Un poco hipócrita por su parte. Hace un año como ninguna cadena la emitía con poca diferencia en abierto, sudaban de todo y estrenaron la 5ª temporada tarde y mal (las primeras semanas recuerdo que emitían doble capítulo, porque al haberla estrenado tan tarde se les iba a verano, cutres), y ahora como Cuatroº parece que quiere estrenarla pronto, ellos también. Asco de cadena xd
#719
06/01/2010 21:01
Dios!!!!! needlove menudo regalo de reyes me acabas de hacer adelantando sobre quien tramará el 6x11. Qué grandeeeessss!!! Sabía que no podía faltarrrrrrrr!!!!
Buenas cortinillas las de Fox España. Un acierto si señor.
#720
06/01/2010 23:26
TENEIS LA TRADUCCIÓN UN POCO MÁS ABAJO (EDITADO)
Os traigo una entrevista que han hecho los de The Hollywood Reporter. a los productores de lost Lindelof y Cuse.
Obviamente no pueden contar spoilers pero mientras esperamos a la sexta temporada es interesante leerlo.
Esta en inglés.
January 05, 2010
Q&A: 'Lost' producers discuss emotional final season
Get ready to return to the island one last time: The final season of ABC's "Lost" is going to be an emotionally intense journey that harks back to previous highlights of the series, with the ideological battle between Jack Shephard and John Locke taking center stage.
By the time most major network shows cross the finish line, they're limping in the ratings and creatively exhausted, wrung out by networks and producers trying to mine just a few more hours. With "Lost" producers having persuaded ABC to set 2010 as a series end date years ago, the hit drama is going into its final lap with level of fan anticipation rarely seen for the ending cycle of a broadcast show.
Below, executive producers Carlton Cuse and Damon Lindelof, give The Hollywood Reporter their first full-length interview focusing on the sixth season. What secrets will be revealed? How will fans react to the ending? And what are Lindelof and Cuse's plans for life after "Lost"?
Cuse and Lindelof assure that there's a satisfying cliffhanger-free conclusion planned. And even after the May finale, there's almost surely going to be more "Lost" to come.
THR: You obviously can't talk about the content of the ending. But how do you think fans will feel about it?
Lindelof: That's a very cagey way of asking it. It's tough to prognosticate. But the one area we're in agreement is there will be a short-term reaction to the ending and then a legacy reaction that comes six months, a year down the road, looking at the show as a whole. Carlton and I were trying yesterday to remember what the final season of "The Sopranos" even was about -- we couldn't remember much about the finale itself except Anthony Jr. was going to go into the Army and crashed his car and changed his mind. But we remember every frame of the diner scene. What people take away from our finale is going to be based purely on that two-hour episode, but our hope is they'll be able to connect that experience to the six years that preceded it.
THR: How would you describe this season in terms of its, say, tone? What is it like compared to past seasons?
Cuse: We feel tonally it's most similar to the first season of the show. We're employing a different narrative device, which we feel is creating some emotional and heartfelt stories, and we want the audience to have a chance in the final season to remember the entire history of the show. So we have actors coming back like Dominic [Monaghan] and Ian [Sommerhalder]. We're hoping to achieve a circularity of the entire journey so the ending is reminiscent of the beginning.
THR: Is there any one character's story line that you think particularly emotionally resonates this season?
Cuse: Jack and Locke have always been at the center of the show, that dilemma of faith vs. reason, and the conflict between those two characters has been there since the beginning. It's very exciting to bring that relationship to its conclusion, and we can't really be any less vague about that.
THR: In the past few years we've had "Sopranos," "The Shield," "The Wire" and "Battlestar Galactica" air final episodes. Any of them that you felt concluded really well?
Cuse: I personally don't feel any of those were messed up, they were all kind of appropriate for those stories. Shawn Ryan did a great job ending "The Shield."
Lindelof: It really boils down to: Is it satisfying? Have you given the audience an emotional ride that makes them feel that they're satisfied, that it's a good meal? Every one of those shows had a different criteria. The ending for "The Shield" was, asking whether Vic Mackey would get some form of comeuppance for all the things he's done over the series. That's a similar question that went into the "Sopranos" ending, which is why people who didn't like the cut to black were unsatisfied, because they felt, "I feel the resolution of this show has to be what happens to Tony Soprano, and you didn't answer that question." The "Battlestar" ending had 10 different things on its agenda other than character resolution ... you have to admire it for the sheer audacity for what it was trying to accomplish. That being said, the "Shield" ending was phenomenal, and almost every fan of the show agrees with that. Whereas the other shows -- and probably with the ending of "Lost" -- there's some debate about the ending. "Did I like it? Did I love it?"
THR: Have you boiled "Lost" down to a central question that the finale needs to resolve?
Lindelof: The only question that's ever mattered to us is what is going to happen to these people. What is the character resolution? That the audience feels like the characters had an arc -- a beginning, middle and end. And I'm satisfied with that. All the crazy island mythology stuff, we love it, but it's like terrorists attacking Jack Bauer -- it's stuff that happens in order to tell cool character stories.
THR: You mentioned a narrative device, I'm assuming it's not a flashback or flashforward?
Cuse: Musical numbers. If you love Bollywood movies, you will love this season.
Lindelof: The show never rests on its laurels. Not because we're trying to be artsy, but the show demands constant shifts to best tell the story. We've known what we were going to do for a couple years now, and there's been a tremendous amount of work setting up the premise so it would work. But we're still wondering, "Will it work? Will the audience understand? What's the reaction going to be like?"
THR: Since there is no footage being revealed in advance of the Feb. 2 season premiere, is there anything you can say to tease it?
Cuse: We ended with Juliet pounding on this atomic warhead. There's Jack's prediction that the bomb will reset events and the plane will never crash. There's the possibility that it doesn't work. We want the audience to be pondering what is the consequence of Juliet hitting that bomb. Our cliffhangers are designed to frame the question that we want audience thinking about.
THR: Now that you're this far along, do you have a favorite season?
Lindelof: The first season is probably my favorite season, you forget in hindsight all the pain that goes into doing the show.
Cuse: I'll say Season 5. We did something radical (by introducing time travel) and embraced the sci-fi roots of the show. We were concerned about doing this. But the fact people liked last season was enormously gratifying.
THR: Do you have any plans to pitch a new show, on ABC or elsewhere, for next season?
Lindelof: No. We don't. The world works in mysterious ways, but our full-time job for the last six years has been coming in here and working 70- to 80-hour weeks on "Lost." The idea of going back into the fray Brett Favre-style is not alluring to us. When we finish "Lost" we will disappear to our undisclosed locations then think about things for a while.
Cuse: I think the one thing that's pretty certain is neither of us have a great [urge] to do something that's this dense, sprawling and serialized. You need to exercise different creative muscles.
Lindelof: My hope is to rip off other successful shows.
Os traigo una entrevista que han hecho los de The Hollywood Reporter. a los productores de lost Lindelof y Cuse.
Obviamente no pueden contar spoilers pero mientras esperamos a la sexta temporada es interesante leerlo.
Esta en inglés.
January 05, 2010
Q&A: 'Lost' producers discuss emotional final season
Get ready to return to the island one last time: The final season of ABC's "Lost" is going to be an emotionally intense journey that harks back to previous highlights of the series, with the ideological battle between Jack Shephard and John Locke taking center stage.
By the time most major network shows cross the finish line, they're limping in the ratings and creatively exhausted, wrung out by networks and producers trying to mine just a few more hours. With "Lost" producers having persuaded ABC to set 2010 as a series end date years ago, the hit drama is going into its final lap with level of fan anticipation rarely seen for the ending cycle of a broadcast show.
Below, executive producers Carlton Cuse and Damon Lindelof, give The Hollywood Reporter their first full-length interview focusing on the sixth season. What secrets will be revealed? How will fans react to the ending? And what are Lindelof and Cuse's plans for life after "Lost"?
Cuse and Lindelof assure that there's a satisfying cliffhanger-free conclusion planned. And even after the May finale, there's almost surely going to be more "Lost" to come.
THR: You obviously can't talk about the content of the ending. But how do you think fans will feel about it?
Lindelof: That's a very cagey way of asking it. It's tough to prognosticate. But the one area we're in agreement is there will be a short-term reaction to the ending and then a legacy reaction that comes six months, a year down the road, looking at the show as a whole. Carlton and I were trying yesterday to remember what the final season of "The Sopranos" even was about -- we couldn't remember much about the finale itself except Anthony Jr. was going to go into the Army and crashed his car and changed his mind. But we remember every frame of the diner scene. What people take away from our finale is going to be based purely on that two-hour episode, but our hope is they'll be able to connect that experience to the six years that preceded it.
THR: How would you describe this season in terms of its, say, tone? What is it like compared to past seasons?
Cuse: We feel tonally it's most similar to the first season of the show. We're employing a different narrative device, which we feel is creating some emotional and heartfelt stories, and we want the audience to have a chance in the final season to remember the entire history of the show. So we have actors coming back like Dominic [Monaghan] and Ian [Sommerhalder]. We're hoping to achieve a circularity of the entire journey so the ending is reminiscent of the beginning.
THR: Is there any one character's story line that you think particularly emotionally resonates this season?
Cuse: Jack and Locke have always been at the center of the show, that dilemma of faith vs. reason, and the conflict between those two characters has been there since the beginning. It's very exciting to bring that relationship to its conclusion, and we can't really be any less vague about that.
THR: In the past few years we've had "Sopranos," "The Shield," "The Wire" and "Battlestar Galactica" air final episodes. Any of them that you felt concluded really well?
Cuse: I personally don't feel any of those were messed up, they were all kind of appropriate for those stories. Shawn Ryan did a great job ending "The Shield."
Lindelof: It really boils down to: Is it satisfying? Have you given the audience an emotional ride that makes them feel that they're satisfied, that it's a good meal? Every one of those shows had a different criteria. The ending for "The Shield" was, asking whether Vic Mackey would get some form of comeuppance for all the things he's done over the series. That's a similar question that went into the "Sopranos" ending, which is why people who didn't like the cut to black were unsatisfied, because they felt, "I feel the resolution of this show has to be what happens to Tony Soprano, and you didn't answer that question." The "Battlestar" ending had 10 different things on its agenda other than character resolution ... you have to admire it for the sheer audacity for what it was trying to accomplish. That being said, the "Shield" ending was phenomenal, and almost every fan of the show agrees with that. Whereas the other shows -- and probably with the ending of "Lost" -- there's some debate about the ending. "Did I like it? Did I love it?"
THR: Have you boiled "Lost" down to a central question that the finale needs to resolve?
Lindelof: The only question that's ever mattered to us is what is going to happen to these people. What is the character resolution? That the audience feels like the characters had an arc -- a beginning, middle and end. And I'm satisfied with that. All the crazy island mythology stuff, we love it, but it's like terrorists attacking Jack Bauer -- it's stuff that happens in order to tell cool character stories.
THR: You mentioned a narrative device, I'm assuming it's not a flashback or flashforward?
Cuse: Musical numbers. If you love Bollywood movies, you will love this season.
Lindelof: The show never rests on its laurels. Not because we're trying to be artsy, but the show demands constant shifts to best tell the story. We've known what we were going to do for a couple years now, and there's been a tremendous amount of work setting up the premise so it would work. But we're still wondering, "Will it work? Will the audience understand? What's the reaction going to be like?"
THR: Since there is no footage being revealed in advance of the Feb. 2 season premiere, is there anything you can say to tease it?
Cuse: We ended with Juliet pounding on this atomic warhead. There's Jack's prediction that the bomb will reset events and the plane will never crash. There's the possibility that it doesn't work. We want the audience to be pondering what is the consequence of Juliet hitting that bomb. Our cliffhangers are designed to frame the question that we want audience thinking about.
THR: Now that you're this far along, do you have a favorite season?
Lindelof: The first season is probably my favorite season, you forget in hindsight all the pain that goes into doing the show.
Cuse: I'll say Season 5. We did something radical (by introducing time travel) and embraced the sci-fi roots of the show. We were concerned about doing this. But the fact people liked last season was enormously gratifying.
THR: Do you have any plans to pitch a new show, on ABC or elsewhere, for next season?
Lindelof: No. We don't. The world works in mysterious ways, but our full-time job for the last six years has been coming in here and working 70- to 80-hour weeks on "Lost." The idea of going back into the fray Brett Favre-style is not alluring to us. When we finish "Lost" we will disappear to our undisclosed locations then think about things for a while.
Cuse: I think the one thing that's pretty certain is neither of us have a great [urge] to do something that's this dense, sprawling and serialized. You need to exercise different creative muscles.
Lindelof: My hope is to rip off other successful shows.